Orange Blossom Love - Holiday Reading (and an apology!)

I've spent at least some of the last month or so (in between working away at the Jean Armour novel) revising a novel called Orange Blossom Love in a fairly drastic way. When I first began the project a couple of years ago, I thought it was going to be a trilogy of novels - a Canary Island trilogy in fact. There were two books, Orange Blossom Love and a sequel called Bitter Oranges. With the possibility of a third. But the more I thought about it, the more the idea niggled away at the back of my mind that this really wasn't a trilogy. It was a single big book, a fairly mammoth beach read.

Anyway, a little while ago I unpublished the sequel - fortunately, it has only ever been an eBook and only ever been on Amazon's Kindle store - and set about the task of joining the dots to make this into a single long novel. Which is what it now is, and - I hope - all the better for it.

It needed an edit in any case. There were things about it that I needed to tidy up and that's what I've done. But there was also a bit more polishing and pruning to be done, even though I had done masses of polishing and pruning already. I now hope and believe that it's a much better and more satisfying novel, mostly because it doesn't break off at a crucial point but carries the reader on to a satisfactory resolution.

My humble apology is to anyone who bought both books - but to be honest, neither of them was expensive and the single long version isn't so very different that you would notice much as a casual reader. And it hadn't sold that many copies, which I suspect is also because it didn't 'feel' like a series.

It's a big, very sexy, sunny, vacation read. It's about a holiday romance that turns into something a lot more permanent and what follows after - the challenges and joys of a cross cultural marriage. It's set on Tenerife, and La Gomera and - some of it anyway - in Glasgow. If you're contemplating a holiday in the sun this year - or even if you're planning on going somewhere a bit damper - you could do worse than download it onto your eReader. At about 160,000 words, it will keep you going for a while. The good news is that it's also available on Apple, and various other platforms as well as from Amazon.  This is problem the most romantic novel I've ever written, or am every likely to write!

Meanwhile, if you'd like to see some of the images, landscapes - and heroes - that inspired the novel, have a look at my Pinterest Board: Orange Blossom Love Inspirations.

On La Gomera

Orange Blossom Love and other stories ...

Another lovely cover image from Michael Doig

I've been so busy with all kinds of writing over the past few weeks that I've hardly had a spare moment to update this blog. Here in the West of Scotland, we're in that time between seasons when the trees are beautiful - especially the rowans - but the days are shortening all the time. Soon our clocks will be going back an hour and then the nights will seem very long - and very dark.

BUT I've been cheering myself up with working on the first in a series of unashamedly romantic novels, set largely in the beautiful Canary Isles. And really wishing I was sitting on the deck of a catamaran in the sunshine. But if I can't do that, then the next best thing is to write about the islands, and dream about them. And share some of those dreams with readers.

This all began many years ago as a short story called Sardine Burial which - coincidentally enough - has just been republished in eBook form by the excellent Hearst Magazine Company: one of four short stories in a new mini collection of my stories, available on all ebook platforms - but you can find it here on Amazon in the UK and here on Amazon in the US. I love the way Hearst are embracing short stories in this form - mainly because I'm a big fan of the short story myself, not just as a writer, but as a reader.

I experimented with Sardine Burial as a radio play - it was actually produced on BBC R4 years ago - but I really wanted to write it as a novel. Its first incarnation was published and pretty much sank without trace. I'm quite glad, because it wasn't ever the way I really wanted it to be. It's a romantic story, no doubt about it. And why not? But what I really wanted to write was a novel about two people from quite different backgrounds, who fall in love and marry in haste. What happens next? Do they repent at leisure, as the old adage would have us believe? So I went back to the beginning and began all over again. Especially with my hero - lovely Luis - who plays the guitar and sings - and cooks, too. OK, OK, he's a man in a million. But he has his faults. As you'll find out if you read the book.

That's what I've been writing about in Orange Blossom Love.  (Try THIS LINK  instead, if you're in the US!)  This is one of the more sensuous and unashamedly romantic pieces of writing I've ever done. It's a very grown up love story. And I'm afraid it does end on a bit of a cliff-hanger. There was no way round it. You'll see what I mean when you get there! But I'm hoping to be able to get Part 2, Bitter Oranges, out on Kindle in time for Christmas. Or very soon after.

My only worry is that there is an important - and quite different - project which might just possibly get in the way. I'll tell you a bit more about that later because it's very exciting too and it will have to take priority for a while.. But if I manage my time properly, I should be able to do both. And maybe winter in Scotland will be a very good time to visit the gorgeous, sunny Canary Isles, even if it's only in my imagination! On the other hand, Bitter Oranges is set partly in Glasgow. So I might just have to make do with Luis, who brings his own brand of sunshine with him! Always has. Always will.

Writing About the Canary Isles: A Handsome People.

Teide in the snow.

There has been a small gap in my Canary Island Winter posts, mainly because I've been so busy with the first in my Canary Island trilogy of novels - Orange Blossom Love - that I've had very little time for blogging. The result has been that I've been neglecting Wordarts a bit in favour of my regular Authors Electric blog post (on the 18th of every month) although I'll sometimes reblog it on here if I think it deserves a second outing.

Writing about the Canary Isles has brought the place back to me with almost heartrending immediacy. I want to be there right now although it doesn't look as though that will be possible for a little while at least.  Luis, my hero in the novel, is a 'Gomero' born and bred, fiercely proud of his heritage, a guitarist and a chef. A slightly quirky combination, I know, but that's the way he turned out and whom am I to challenge him? Every writer knows that there is a stage in any novel when a character decides to be what he or she wants to be and there will be little you can do to change it. It's one reason why writers react so badly to other people saying 'can't you make him do this or that?' Many of us don't feel as if we're 'making' anyone do anything. We can shape the story, of course, change the structure, polish and prune and even change what happens, but there's a sense in which the characters make themselves, and that's an uncanny feeling. So, Luis is who he is. And good looking with it.

Earlier this year, when I was in the middle of doing some additional research for this trilogy, I discovered two fat volumes about the Canaries written by one Olivia M Stone, an Englishwoman who had visited the islands back in 1884. This was wholly thanks to Amazon. I didn't know about these books at all. A Canarian academic friend, who had helped me with the translation of some traditional poems, confessed that she didn't know about them either, but then they had been written in English, published in England in 1887 and had long been out of print. The re-emergence of facsimile editions on Amazon was only very recent. I typed 'Canary Islands History' into Amazon and these two volumes instantly popped up, with a long, engaging and informative review by a previous reader. I ordered them and was enchanted by them. Olivia had obviously fallen in love with the Canaries too.

Back when we were living there for that short time, it had struck me what good looking people the locals were. Olivia thought so too. She found the men handsome, especially their guide, the divine Lorenzo, and was not afraid to say as much. Even though she seems to have been a happily married woman, accompanied by her photographer husband, she was also quite a young woman and her obvious appreciation of a handsome and mildly flirtatious man seems curiously modern. She also noted several times that the island girls too were unselfconciously beautiful.

All of this is still true. Spaniards are a handsome people, but there is a fair mixture of the DNA of the original inhabitants of these islands - as recent tests have proved - especially on La Gomera. This isn't too surprising. Historians used to posit the idea that the Spanish invaders had massacred all the original inhabitants, but wholesale genocide is (mercifully) rare. Youth, life, sexual attraction tends to have its way. Like the early Scandinavian invaders of Scotland and Northern England, it seems as though those Spanish invaders - as well as shedding a lot of blood - did a lot of what we had better call intermarrying, although initially at any rate I doubt if it was as benevolent as that term suggests. But these were young Spanish settlers on a fertile land with a kindly climate and the surviving Guanche women were a handsome people of Berber ancestry. And sooner or later, men grow tired of war. The DNA evidence suggests that a great many of those incoming Spaniards must have taken Guanche wives, settled down and raised families, becoming Canary Islanders themselves.

This seems to have resulted in a happy combination in more ways than one. The Canarians are still a handsome, sunny natured people. It's as though the fierce energy of the incomers - but one which could all too easily tip over into cruelty - was tempered by the more peaceful qualities of the indigenous people. This is to oversimplify, of course. The Guanches were as capable of brutality in a brutal age as their conquerers. But it doesn't seem to have been their natural inclination. Whatever the truth of it, it does seem as though a partiality for artistry, cultivation, music, courtesy, peacefulness and a natural appreciation of beauty have to a large extent prevailed on these islands so that the old perception of them as 'blest' - as the garden of the Gods - is not too far from the truth.

www.wordarts.co.uk

A Tale of Two Canary Island Winters - Part Four: Charterers

Charterers who are still friends.

A yacht, however roomy, demands a certain amount of tolerance from people who are flung together in such a small space. It says a lot for the essential good nature of sailors that most of the people who chartered Simba were pleasant and interesting. The quartet of people on the left (that's me in the very middle with the gigantic sunglasses) became - and remained - friends, especially the couple on the right, Frank and Anne Mapes of Millport. If you've ever had the good fortune to visit the lovely little isle of Cumbrae, off the west coast of Scotland, and cycle round it, there's a fair chance that you'll have hired your bike from 'Mapes of Millport' - a wonderful cycle hire and old fashioned toy shop in the middle of the town. The couple on the left (with Barbara's head obscured by the boom) are their friends, potter Barbara Davidson and her husband Brian, of Larbert pottery fame.

They spent a fortnight aboard Simba and we divided the time between sightseeing on Tenerife, and sailing to La Palma and La Gomera. Sometimes they would eat out - often inviting us to join them - sometimes we would cater for them aboard the boat - with quite a lot of the cooking done by yours truly, a fact which still amazes me in retrospect. Of late, I've tended to subscribe to the Deborah Meaden school of catering. She once said on the television programme, Dragons Den, and much to the amazed disbelief of the other dragons, that she 'didn't cook.' And I thought, yes, I could live with that. But back then, I was young and energetic and didn't much mind catering. Or not in the Canaries with its abundance of fresh fruit and vegetables and wonderful seafood, anyway!

San Sebastian, La Gomera. The governor's tower, where Beatriz de Bobadilla lived, on the right. 

Two incidents helped to cement our friendship. The two couples had paid for a skippered, catered charter which meant that we were to sail wherever they wanted to go within reason and on the advice of the skipper who always has the last word, for reasons of safety. But a day or two before they arrived, we realized to our horror that the boat's account, which was meant to be topped up by the company in Scotland, hadn't received any money for a long time. Frantic phone calls ensued and money was promised. It didn't come. The reasons why were too complicated to go into here but it's always a hazard for yacht skippers working a long way from the parent company. The fact remained that we had four people arriving for a two week holiday, and we had nothing but the boat and - given that Alan wasn't exactly handsomely paid and I wasn't paid at all - a tiny amount of our own cash in the bank.

Panic.

Alan did the only thing possible, took Frank to one side, and explained the situation. To his eternal credit, Frank reassured us that it wasn't our fault, financed the whole thing, and said, 'Don't worry about it. I'll make sure I get my money when I get back to Scotland. And believe me, I'll make sure this kind of thing doesn't happen to you again.' He was as good as his word.

The second incident involved our first proper visit to the beautiful island of La Gomera, although Alan had sailed there before to top up with their excellent water. High on the hill above San Sebastian, the port and main town of La Gomera, you can just make out that there is a large statue standing on a hill. Alan's boss back in Scotland, who had spent a little time in the Canaries, assured us that this was a statue of Christopher Columbus, pointing west. Now Columbus did visit La Gomera, and is even reputed to have had an affair with the wife of the governor, the Princess Beatriz de Bobadilla, of savage repute, before heading off to the Americas. So it seemed perfectly feasible that a statue would have been erected to him.

Alarming cactuses and starry tabaiba bushes.

Feeling energetic one day, we and our four charterers decided that we would hike up the hill to pay our respects to Columbus. It was a longish climb up a steep hill. We managed to find our way out of town and passed by small houses, asking various people who were sitting outside in the sun, watching the world - and the visitors - go by, if this was the right way to the statue of Cristobal Colon. This is, of course, the Spanish name for Columbus and we were quite pleased with ourselves for knowing it.

Now the inhabitants of La Gomera are deeply, instinctively polite and kindly. So they all smiled at us, and nodded vigorously. Although we were aware of a certain puzzlement, nevertheless. You know what it's like when you think somebody's a bit odd, but don't really want them to know you think so, because it would seem rude? Well, that. We soon left the houses behind and hauled ourselves up the hill, past prickly pears and monumental cactuses and starry tabaiba bushes, closer and closer to the big statue, looking west.

Except that it wasn't Christopher Columbus at all. It was Jesus Christ, with a crown of light bulbs for stars, blessing the harbour. Some of his fingers had been damaged, which made it look - from a distance - as though he might well be pointing west. Not only had Alan's boss been just a little remiss in the matter of payments into the boat's account - he had also told a few porky pies about climbing to the top of this hill. We did the only thing possible, laughed a lot, sat in the sun for a while enjoying the stunning views, and then headed back to the boat for a few beers.

Not Columbus after all.

A Tale of Two Canary Island Winters - Part Three: Settling In

Simba lay rocking gently at anchor in Los Cristianos Bay. It was January. The sun was shining, the air was soft and warm and I was unpacking my bag and stowing away my kit in the tiny amount of cupboard space allocated to me.

Simba was by any standards a roomy boat, with a huge saloon and three cabins. Naturally, the two biggest and best cabins, each with a double bunk that was more like a double bed and its own large en suite shower, were reserved for the customers. Sometimes they were paying customers who chartered the boat from the company which owned it. Sometimes they were guests of the director, back in Scotland. A lot of the time we had the catamaran completely to ourselves. The skipper's cabin was smaller, but not uncomfortably so. And there was a toilet and shower next door, for our own use.

It was surprisingly easy to slip into the rhythm of living aboard, even for a fair weather sailor like me. Especially for a fair weather sailor like me. But I have to confess, I was still happiest sitting at anchor in Los Cristianos bay and watching the constant small procession of activities of this busy but essentially laid back port passing me by - as well as reading and writing. I did a lot of writing.

When we had visitors, we had to sail, which made my husband very happy.

It made me very sick.

I made several interesting discoveries on those voyages. One was that seasickness medication doesn't agree with me. The second discovery was that seasickness does eventually go away. It took me two weeks. (I counted every miserable day!) After two weeks spent aboard, sailing between islands, being literally prostrate with sickness, unable to even sit up without feeling dizzy and disorientated, it quite suddenly ceased. After that almost nothing would have made me sick. As anyone who has sailed will know, if you've been on a boat for a few hours, when you get off the boat, you can still feel the land moving - a very curious sensation. After the seasickness disappeared, this effect disappeared too. I was comfortable at sea and on land. But it took two weeks and the effect only lasts while you're living on board. If I were to do it all again, I'd have to go through the same uncomfortable process.

Simba was one of the biggest, flashiest and most beautiful yachts in the harbour so it wasn't surprising that she attracted a lot of attention. My husband was young and fit and - having spent most of the winter so far working aboard in the sunshine - looking particularly bronzed and attractive. I took a sort of perverse pleasure in stationing myself on the seaward side of the deck. Girls would hire pedalos in Los Cristianos and - assuming that Alan was alone on board - pedal out in the hopes of chatting up this 'rich' man with the fancy boat. They would circumnavigate Simba only to find me waving at them from the other side, whereupon they would lose interest and target another yacht and yachtsman.

We went ashore for provisions most days, in the big dinghy, leaving it tied up against the low wall of the slip. Sometimes we used an engine and sometimes we rowed, heading for the supermercado and then ferrying everything back to Simba.

When you're living on board a boat, everything takes time. When you're living on board a boat in the sun, you don't really mind. There are some things to remember though. Most of all, you have to remember not to block the sea toilets, being very careful at all times what you put down them. (Unblocking them is a hideous job for obvious reasons.) And you have to be careful never to waste water, since - even aboard a boat with big tanks - refilling them can be problematic. You become, by default, environmentally friendly.

There can be few things more irritating and alarming, incidentally, than hearing your latest charterers taking a ten or fifteen minute shower, even when they have been tactfully reminded that water is a finite resource. It doesn't happen with experienced sailors - but it sure happens with the other kind.  I got used to taking a pretty good shower using a bucket of clean water. A bucket and a half meant that I could wash my hair and do a bit of washing at the same time. Fortunately, the washing dried within a couple of hours when festooned about the boat like a curious collection of flags.

Water is at a premium in the Canaries, especially in this hot southern part of Tenerife. And it isn't very drinkable so you have to treat it or boil it. Or treat it and boil it. On the other hand, the water on the island of La Gomera is very good: fresh and sweet and clean. So we used to sail to La Gomera quite often. It proved to be one of the most magical places on earth. I knew I was going to have to write about it. And - eventually - that's what I did.

A Tale of Two Canary Island Winters - Part Two: Simba

So there I was, on a flight to the Canary island of Tenerife, joining my husband aboard a 50 foot catamaran called Simba, moored in Los Cristianos Bay. Packing had been a challenge. Simba was a big boat but as anyone who sails knows, space on board is always limited and I was going to be there for a few months. Fortunately, the weather was predictably good, so shorts, tops and pretty cotton skirts were the order of the day.

My husband Alan is a very experienced professional sailor which is more than can be said for me. He had worked as a trawler skipper for some years and then as a commercial diver off the West Coast of Scotland. Later, he ran a small business with his brother-in-law, David, diving for clams. Then, he did his RYA training and eventually became a yacht charter skipper as well as spending some time teaching sailing for the Scottish National Watersports Centre in Largs.

When we first met, he and David had also built a small sailing boat called Striker II  (The first Striker had been the clam boat) which they kept in Troon and sailed for pleasure. It was aboard this little yacht that I had my first taste of sailing.
I wasn't a natural. And it wasn't very pleasant.

The West of Scotland waters are beautiful, but the weather is uncertain. I was hideously seasick. My husband, on the other hand, has never been seasick in his life, so doesn't know how horrible it can be; not just the sickness but the general malaise, the intense depression, the awful disorientation. You begin by fearing the boat will sink, start to realize that you wouldn't care if it did and finally you really wish it would. And soon. The only way I could cope with it, when it was at its most intense and debilitating, was by lying flat on my back. As soon as we were in quiet waters, I was fine. Alan may not have been seasick, but he was quite used to people being sick on him. You can't work as a yacht charter skipper for any length of time without people being sick on your shoes and they frequently were.

There's an interesting fact about seasickness. It does go away. Eventually. Of which more in a future post.
Striker II was a yacht called a Seawitch and she was tiny. She would sleep four at a pinch, but you had to know each other very, very well. Intimately. We had a few uncomfortable but frankly hilarious trips - usually to the Isle of Arran for the weekend -  four of us together, myself, my husband, his sister Jackie and her husband David. The toilet facilities involved a plastic bucket, situated under the bunk where Alan and I slept. I still remember Jackie, wrestling with it in the middle of a very rough night in Lamlash Bay - victims of the notorious Lamlash Lop - declaring that this would be her 'last sea voyage ever!' Alan had crewed on and sailed much bigger boats, but even he, presented with the opportunity to skipper a 50 foot catamaran, had to pause for thought. Well, he paused for a few minutes anyway. And Simba was a big strong boat, for which he was mightily glad, as they battled through hurricane force winds on the way south. I was just glad I'd elected to fly instead.

I spent my first married Christmas back with my parents, but then I flew south in early January of 1986. I had never been to the Canaries before. I still remember the soft warmth of the air that hit me as I stepped off the plane into the Tenerife evening. The force of contrast with the wintry Scotland I had just left was acute and enticing. Alan, alone on the boat, had suggested that I get a taxi to the Gomera Ferry Terminal where he could pick me up on the dinghy and ferry me over to Simba which lay at anchor in the bay.That was my first problem. The last ferry of the day to the beautiful island of La Gomera had left (which was why Alan had suggested that he could pick me up from there) but the lovely, concerned Spanish taxi driver didn't want to drop a young woman off there all alone. He kept trying to take me to a hotel instead! With the help of a phrase book, and a few words of Spanish, I managed to persuade him that my husband was a sailor and I was joining a yacht. To be perfectly honest, I may have said to him that my husband was a yacht, but it did the trick. And there she was, our  home for the next few months: Simba.
She was nothing like Striker II.

A saloon big enough to hold a party in!

She was huge. Catamarans (unless they are stripped out racing catamarans) have a lot of internal space and this one was no exception. You could, and we sometimes did, hold a party in her saloon. She had two big master cabins, a captain's cabin, three showers and lavatories, a (disappointingly rather small) galley and that big, comfortable saloon. She lay at anchor in Los Cristianos Bay, amid a cluster of other, interesting yachts, big and small. She was one of the most beautiful vessels in the bay. The air was full of that fabulous Canary Isles mixture of sea air and flowers with a little hint of diesel.
I felt as though the birthday of my life had come.

Falling In Love (All Over) Again - Reblogged from Authors Electric

I'm reblogging my recent post on Authors Electric here today. Incidentally, if you haven't been to Authors Electric before, do have a look. You'll find a miscellany of interesting posts - a new one every day - by 29 independent and independently published writers including myself. Some of us have been traditionally published as well - some of us still are which I suppose makes us 'hybrid' writers, to use the current buzz word - while some have elected to go wholly indie. We're none of us too keen on labels, but our group includes genre, literary and mid-list writers (sometimes all within the same versatile person!)  award winning writers of all kinds, poets and playwrights, novelists and storytellers and non fiction writers. Many of us have held Royal Literary Fund fellowships or have been involved with teaching creative writing. Most but not all of us are UK based. What we have in common is experience and professionalism, coupled with an enthusiasm for writing and for our lovely readers. 

The post below will be the first in a whole season of Canary Isle themed posts here on my own Wordarts blog, because I'm working on a major new project, a trilogy of novels set largely in the Canaries and loosely based on an old back-list title, but substantially different from that early novel. There's also an interesting back story to all this, the inspiration behind it, and it struck me that it might be nice to tell it here, on my blog as I prepare the new novels for publication. 

When I first started this project, I thought it would involve typing up the manuscript, revising as I went along, but it soon became obvious that it needed much more than that. Major changes were in order. The book was originally bought by a medium sized publisher a long time ago. I think the central story is fine, but I’ve matured as a writer. Just as well, really. When I reread it before starting work on it, my chief emotion was a sort of horrified embarrassment and NOT, I might add, embarrassment at the significantly erotic content. It was more a question of writing technique and not the other sort. What, I kept wondering, was I thinking about? More to the point, what was my editor thinking about?

Happy days on board  'Big Cat' Simba

When I look at the novel now, I can see so many elements of it which need work, not least a confused and confusing perception of point of view. It began as a tale told from a limited third person point of view.It’s a story about Margaret Sinclair, in her thirties, newly divorced, shy, rather innocent and a little depressed. Desperate to get away from Scotland, she secures a job in property sales on the Canarian island of Tenerife. My editor at the time suggested that we also needed to see things from the perspective of the other main character, a Canarian called Luis. She may have been right about that (I'm still thinking about it) because (a) this is a story about a cross cultural relationship and we need to know what is going on in the head of the other half and (b) musician Luis comes from the small island of La Gomera which is central to the story, so his background is both interesting and important to the plot. 

Back then, and although feedback after publication was good, I don’t think I did it very well. To be fair, it isn’t easy. It’s the kind of thing I wrestled with in The Amber Heart where sometimes we needed to be with Maryanna and sometimes with Piotro, but not both at the same time. I think, eventually, I got it right in that novel, moving between the two without too many clunky changes, but learning how to handle it was a steep and very long learning curve. Now I need to go back to my Canary Isles novel with all the benefit of experience.

I reckon I also didn’t do it very well because we were in something of a hurry. If the novel had been published by the (old, distinguished) publisher who bought it, there might well have been a modicum of nurturing. But because the publisher was immediately bought over by a major corporation, it was published differently and with a garish cover. The novel was and will remain a sexy read. I don’t think there’s anything wrong with that, but it was a bit OTT, a bit too ‘80s’ – like the cover - in no good way. And why did I spend so much of it telling the reader what people said instead of having them actually say it? Beats me!

A close friend, a whole generation older than I am, has said to me that the central story is still good and vividly filmic. I hope she’s right. But I knew immediately I started working on it that it needed to be retold. There’s another thing about it: I can remember a phone call from the girl who was involved with publicity when it was first published. ‘I fell in love with Luis,’ she confided. ‘I mean really fell in love with Luis. I’ve never ever felt like that about a fictional hero before.’ Clearly I’d got something right then.

So what am I doing now?

Apart from listening to/watching this, on a loop, (OK, OK, I'll admit it, my hero was that young Banderas) I’m wrestling with point of view, and making it work, making it better.
I'm writing a lot more dialogue.
I’m working on the sexy bits, making them better. (This is a lot of fun, have to admit.)

Above all, I’m turning the basic story into three new and quite different novels, which involves a lot of extra writing, as well as drastic changes: The Golden Apple, (which was my old title because the one thing I really like about it is the title), Orange Blossom Love and a third novel called Hera’s Orchard. I’m planning to publish the first one in June, the second in the autumn some time and the third at Christmas, if I apply myself.

I’m also falling in love with my hero all over again. It’s a strange thing this writing love stories. You have to be a little bit in love with your characters, warts and all, to be able write about them. It doesn’t just apply to love stories either. When I was writing The Physic Garden, I had to crawl inside William Lang’s head and stay there for a very long time. I was passionate about William, emotional about him, even though The Physic Garden is a story about friendship and betrayal and by no means a romance. I felt for him in my heart as well as my head. But Luis was a dimly remembered affair and I had to rediscover him, find out what it was I liked about him all those years ago, find out what it was about him that made that young publicist fall in love with him so comprehensively.

It has been a surprisingly slow process. There's a part of me still hankering after Joe and Helen from Ice Dancing, to the extent that I know there’s a sequel to that novel kicking around somewhere in my imagination. And some part of my head is still back there with William Lang in 1800s Glasgow, in the physic garden of the old college of Glasgow University.

But I’m getting there. Luis is undeniably attractive. That's why Margaret falls for him against all her cautious instincts. He plays the guitar and sings. He’s impulsive, sensuous, fiercely proud and when all’s said and done, a wee bit too tempestuous for poor Margaret’s comfort. You know what? When I went back to this story, I felt the same way. Like when you meet an old boyfriend and wonder what you ever saw in him.

Sitting on board in the sun, writing. 

When I first drafted the story – like Kathleen Turner in The Jewel of the Nile - I was sitting on board a boat in the sun, writing, and I was madly in love with the Canary Isles myself. I'll tell you a bit more about that time in the coming weeks and months. The new Golden Apple is a story full of life and sunshine and music and that’s kind of what I need right now. I always liked Margaret, quiet, sweet, sensible, put-upon Margaret, with her hidden depths. Now I’m getting to know Luis all over again. Falling a little bit in love again. I think. I hope. Finding out a lot more about him. 

Or as one of the traditional Canary Island poems which run through the novel would have it: 
‘I love you because I love you.
Nobody tells me what to do with my love.
I love you because I feel it
deep in my heart.'

One More Reason To Love Amazon

Old Los Cristianos.

I'm in the middle of a new project which involves extensive rewrites and revisions of an old back-list title, which will be my next eBook publication. Actually, it will be two books, possibly even three, loosely based on a novel which was written and published many years ago. I don't often like to go back to old projects, but for all kinds of reasons which had more to do with changes in the publishing world, the publication didn't turn out quite the way I wanted. It was written (and acquired) as one kind of book and published as another. The novel I intended it to be - a book about cross cultural marriage and the adjustments that have to be made - disappeared somewhere down the corporate hole in the middle of the deal. It was reasonably popular at the time but when I read it now I can see all kinds of problems which should have been addressed at the editing stage. And it's rather dated. But at the heart of it, I think there's a good strong story in an intriguing setting. And I still like the central characters very much.

So I'm rewriting it. Drastically. Adding a lot, subtracting a lot, changing a lot and all of it in the light of experience. I seem to be a sadder and wiser person these days and it's showing in the story. By the time I've finished the first book in the series, it will - I feel - be quite different, although with enough of the old skeleton in there to satisfy the people who liked it the first time round.

So what has all this to do with loving Amazon, other than the fact that the new novels will be published on Kindle?

Well, this first novel in the series is set largely in the Canaries, on the islands of Tenerife and La Gomera. I wrote the first draft of this story back in the 1980s when I was living aboard a giant catamaran (called Simba - big cat - get it?) mostly at anchor in Los Cristianos Bay,  although with occasional sorties elsewhere, particularly to our favourite place in the whole archipelago: La Gomera. I'll be blogging a bit more about that time over the next few weeks. Needless to say, it wasn't OUR yacht. My husband was working as skipper for a charter company, and we would sometimes be joined by paying guests. Which wasn't all that happened. I came back expecting a baby!

But over the past few weeks, I've realized that I both need and want to know more about the history of these islands. Not because these are historical novels, but because one of my main characters is born and bred on La Gomera. I already knew something of his family heritage and was intrigued by it but - you know how it is with research - I had a hankering to know more, even if I didn't make detailed use of it in the new novels. Searching for the history of the Canaries, even online, doesn't elicit very much information. I had read as much as I could, back in the eighties, and still had some of the books and pictures from that time. I still had my notes from various sightseeing trips, and conversations with local historians. But there seemed to be a dearth of detailed histories in English and my Spanish leaves a lot to be desired. (Living on a boat, you learn the words for fibreglass polish and folding table but not much of an academic nature.)

I did a bit of googling which only pointed me to books, papers and sites I already knew about. So I turned to Amazon. Which, I now realize, was where I should have started. When you're looking for a book, but you haven't a scooby what it is, what it's called, who wrote it or even if it exists, Amazon is the place to go. I swear, within three clicks, Amazon had presented me with a couple of extraordinary accounts of the Canaries from the late 1800s, facsimile editions, complete with gorgeous pen illustrations. Not only that, but when I hesitated, wondering if I should buy these fat doorstops of volumes, I clicked on a review to read a charming, funny and detailed exposition by another reader who made the books sound irresistible. Another click and they were on their way to me. They arrived the following afternoon. (OK. I've succumbed to Amazon Prime. They even give you a two hour window for delivery)

And here they are. Beside me as I type this. Lengthy accounts of travels in the Canaries first published in 1887, written by an enterprising and engaging 'lady traveller' called Olivia M Stone.

So that's another reason why I love Amazon. There must be some seriously good and intuitive programming at work here. Within moments, they had suggested two books I didn't even know existed, books they delivered to my doorstep twenty four hours later, books which turned out to be exactly what I needed. Spooky. Like Lois Lane said of Superman: Can you read my mind?

The Next Big Thing - The Golden Apple

I agreed to write a 'next big thing' blog when asked by an old friend Michael Bartlett of Crimson Cats  without thinking that almost everyone I know would already have done it. That's the nature of these chain blogs. It's a bit like pyramid selling. Those who are in at the start are OK.  But  one of my friends has a new Next Big Thing due out any time now, so I'll have at least one nomination. Meanwhile, here's a bit about my own Next Big Thing, with more to come soon.

Alan, my husband, on Tenerife, way back when....

What is the title of your next book?
It's the Golden Apple and it's an extensive rewrite of an old backlist title which sank without trace. But I loved the characters and the setting and the story. My original intentions for it got lost somewhere for reasons too complicated (and painful) to go into here. The new book will have the same skeleton but the flesh on those bones will be different.

Where did the idea come from for the book?
It's started out as a book about cross cultural marriage, something that has always interested me, perhaps because my dad was Polish and my mother was Leeds Irish. They loved each other to bits, their whole lives long, but it sometimes struck me that adjustments must have had to be made on both sides. As a child, I was never aware of it. I think my dad was just glad to be alive after the war. But all the same, it's something I have found myself thinking about and tackling in plays and fiction quite often. This was probably my first foray but I've done it since then. My novel Ice Dancing explores vaguely similar territory, and the sequel to that novel, which I'm already planning, certainly will.

What genre does your book fall under?
I'm always a bit phased by this question since just about everything I write crosses genres. I suppose I'll have to categorize it as a romance, but I'd quite like to invent a new genre: Grown Up Love Stories. That's what I often write.

What actors would you choose to play the part of your characters in a movie rendition
I always had Antonio Banderas in mind for the hero, but time has passed and Luis is only in his early thirties! It would have to be somebody else tall, dark, sexy and Spanish. Any suggestions?

What is a one sentence synopsis of your book?
She marries him in haste; will she or won't she repent at leisure?

Will your book be self published or represented by an agency?
Oh self published. Like all my books, these days.

How long did it take you to write the first draft of the manuscript?
For me, this is always a 'how long is a piece of string?' question. I never really know. When I'm on a roll I can get a first draft finished within a matter of months, and frequently do, but it will be a very very rough draft. Then I set it to one side and come back to it later, and repeat this process many times. I usually have a few projects on the go at once.

What other books would you compare yours to?
I actually can't answer this one. I don't know. I used to be compared to Daphne du Maurier, which is very flattering for me. I'd be happy to write so well.

Who or what inspired you to write this book?
That's easy. Years ago, I spent a winter aboard a big catamaran in the Canary Isles with my husband, who at that time was a charter skipper. It was a company boat and we looked after charterers, but in practice they only arrived quite sporadically. Alan had his hands full most of the time looking after this beautiful big boat (it had two master cabins, three loos and showers, a captain's cabin and a saloon you could comfortably hold a party in) but I spent an enviable amount of time sitting on deck in the sunshine, writing. I wrote the first draft of the Golden Apple at that time. Then it went through the publishing process and got turned into something it wasn't. By the time I came back to Scotland, I was expecting a baby. The following winter, with Alan still working aboard a yacht in the Canaries, we borrowed a friend's apartment and I spent another few months in Los Cristianos, this time with a brand new baby. It was wonderful.
Now I'm restoring The Golden Apple to the novel I intended it to be, returning to the thoughtful book I first wrote. I was particularly inspired by the wonderful island of La Gomera which was my favourite place. I haven't been back since and they suffered with terrible fires last year, but I gather that they are flourishing again. A truly magical place. The novel is a love song to the Canaries really.

What else about the book might pique the reader's interest?
It's a sexy, sunny novel. It should be published later in the spring. Watch this space.

I'm passing this on to Cally Phillips 
Cally has had a 20 year career writing for stage, screen and latterly fiction. She has worked as script reader for Channel 4, as secretary of Scottish Branch of the Writers Guild and held Drama residencies with DGAA and WLYT. As Artistic Director of Bamboo Grove Theatre Company (2002-2006) and facilitator for ABC Drama Group (2003-2010) she developed an advocacy style of theatre. In 2010 Cally set up HoAmPresst Publishing and in 2012 Guerrilla Midgie Press (an advocacy publisher) Cally has published novels, plays and short stories (in Scots). She is the director of the online Edinburgh eBook Festival which is held in August.